Showing posts with label Mummy. Show all posts
Showing posts with label Mummy. Show all posts

Friday, February 3, 2012

Week 45: Santo en la venganza de la llorona (Santo in the Revenge of the Crying Woman, 1974)



      45 movies down, 7 movies to go. This week, Santo teams up with a famous boxer to punch out some crying women. Also, they fight mobsters, but mostly they just go around punching women who cry too much. Then those women get revenge...




Only the finest grave robbing attire for these two.


        Alright, so that's obviously not the plot of this week's movie. There is a crying woman in it! Santo and his new boxing friend Jose never do punch her though. Santo is enlisted by an archaeologist to help him rob the grave of a certain Doña Eugenia Esparza who was a Mexican aristocrat, infamous for murdering the three illegitimate sons she had with a Spanish Viceroy. She also stole all of this Viceroy's gold doubloons and hid them someplace, and now the necklace around her entombed Corpse's neck holds the location. At first Santo refuses, offended at the idea of robbing someone's grave and tries to storm out. When the Archaeologist chases him down and explains that they're going to give all the doubloons to a children's charity, Santo is suddenly okay with it and agrees. Santo should put on his resume that he's okay with robbing graves, as long as it's for charity. 


NOT Apollo and Rocky


        For superfluous reasons that don't begin to justify a professional boxer's presence in the movie, Santo recruits José Nápoles, nicknamed "Mantequilla", which means butter in Spanish. Santo and the rest of the cast of characters refer to him only as Mantequilla throughout the entire movie, so they're all calling him Butter with a straight face, awesome. He also likes to wear a lot of fuchsia, and when asked to join the expedition by Santo, enthusiastically signs on, stating that he hopes to see a ghost, indicating to Santo and the audience that the blows this guy's been taking to the head are likely starting to affect his brain.


NOT Mr. Miyagi 




        Jose actually was an accomplished welterweight boxer. He won the world welterweight title twice, once in the late 60s, and again in the early 70s. At the time of this movie's production, he was likely as a big a national hero in Mexico as Santo was. Unfortunately he can't act worth a shit here. When not having a boxing match, where he obviously shines, Mantequilla has two speeds as an actor, "simpleton" and "block of wood". 


NOT Raiders of the Lost Ark


         Of course it turns out that Doña Eugenia Esparza is cursed by Satan for her deeds, and once her necklace is taken by Santo and Mantequilla, she rises from her tomb to wreck havoc on the descendants of the Spanish viceroy who done did her wrong. It turns out that the grandson of the archaeologist is one such descendant and his whole reason for leading this project was to break Esparza's curse and save his grandson. Mantequilla sees her moving corpse, but Santo doesn't and just assumes that Mantequilla has gone soft in the head. In fact, Santo never encounters the resurrected Esparza, as he spends most of the second half of the movie dealing with a bunch of Gangsters out to get their hands on the gold doubloons. These same gangster also hide out in a Colt 45 bottling plant. I shit you not.


Madonna in the morning.


      La Venganza del la Lorona is a bit of a throwback to some of the Santo movies in the teens, where he battled occult villains, who almost always were done in by their own evil doing. While the crying woman mummy is effective and eerie and reminds one of the crude make up effects from The Evil Dead, one is left frustrated by the fact that not only does Santo never interact with the fiend, but doesn't even acknowledge its existence. It's like watching two movies spliced together. 


Enjoyment...










Two and a Half Silver Masks out of a possible Five.

Fun Fact: José "Mantequilla" Nápoles was inducted into the International Boxing Hall Of Fame in 1990. 





Wednesday, December 21, 2011

Interlude: El Estado De Cosas Hasta El Momento




       Below is all 52 of Santo's films listed in chronological order. The ones I've viewed and reviewed already will have a hot link next to the title "SEEN!" that will take readers directly back to those reviews. The rest will have "ERD:", meaning Expected Review Date next to the title, with the date I expect the review to be up for your reading pleasure. I try to have these things posted every friday, and will hopefully stick to the dates I have listed here. The plan is to update this list quarterly, or about every 90 days. Its a way for readers new and old to catch up and keep up with all things El Santo, and maybe get a chuckle out of some of the funky titles in store for us down the road...

Santo filmography (in order)

Friday, October 28, 2011

Week 31: Santo en Las momias de Guanajuato (Santo in The Mummies of Guanajuato, 1970)




         So its Halloween weekend, and what would be more appropriate for Santo and Co. to do battle with on Halloween than...mummies. I know, not exactly the most exciting of monsters. They're not even Egyptian mummies either. Shit, they're not even Aztec or Mayan mummies. They're the mummified remains of a wrestling opponent of Santo's great grandfather. Yet again Santo has to be punished for the good deeds of an ancestor. 




MUMMIES COMIN' AT YA!
  
       
     Touted as the high water mark of luchador movies, Las momias actually has very little screen time for Santo. While he has more than just a cameo, its primarily a Blue Demon vehicle. Teaming up with Blue Demon is Mil Mascaras, which in Spanish means "Thousand Masks", more on him later. Somehow, they've been stuck dealing with "Satan", a mummified 7'2" wrestler from the 1800s, who after losing his title belt to that time period's El Santo, vowed revenge by making a pact with the Devil to come back in a 100 years as a mummy. Not exactly the best revenge scheme ever, is it? When Satan and his mummy goons harass Blue Demon's midget friend, known as "Penguin", Blue and Thousand masks take it upon themselves to stomp some mummy ass. Why don't they call in Santo to help? It's not entirely clear. After all, in addition to this being a problem caused by Santo's great grand dad, he's also a famous superhero, monster fighter, and all around do gooder. It's not exactly outside his wheel house to deal with mummies. (Even though he negated their existence in the previous film, a MUMMY movie!) Blue Demon's excuse for not calling in the silver masked reinforcements is that its exactly what Satan wants, and that they shouldn't play into his games. Shrug. 

Let's take some time now to talk about Mil Mascaras, a.k.a. thousand Masks. This character's gimmick is that he never seems to wear the same luchador mask twice, hence his moniker. Check out some of these screen grabs as examples. 



Exhibit A



Exhibit B



Exhibit C


       I noticed at least five different masks, counting the ones shown here. There were likely more throughout the movie, and I just didn't pay close enough attention to notice. Thousand masks is also more physically imposing on screen than both Blue Demon and Santo, to the point that when sharing screen time with one or both of them, he dwarfs them with his sheer size. 



The titular Satan Mummy.


       My biggest complaint about this movie, and this might not entirely be this movie's fault, is the lack of shared screen time between the three luchadors. I say it might not be the movie's fault, because based on what little information I had, I sort of expected this to be the Seven Samurai of masked wrestler movies. I go into each of these movies with as little prior knowledge of each film as possible, that way I have no bias before viewing it. It's my way of giving each film as fair a shake as possible. That said, it was hard not to avoid any information about this film while doing research for this blog. I sorta expected Santo, Blue Demon, and Thousand Masks to be summoned to the province of Guanajuato after it is menaced by mummies. Instead, Blue and Thousand masks are there by happenstance when the mummy antics start. Santo also doesn't come into play at all until the third act, his only other appearance being in the Satan mummy's flashback, and then its as his own ancestor. 



Satan Mummy, after a panty raid at Blue Demon's.


     Santo's eventual involvement comes about through pure coincidence. He and his manager happen to be on tour for a series of matches, and decide to stop off in Guanajuato to spend the night, unaware of the terror in the streets being wrought by the Mummies. Santo leaps from his gold roadster (making its return after a few films with a white mustang) to combat the mummies, only to be overwhelmed and repelled by their numbers. Santo even goes so far as to cause a panic in the streets by telling people to flee for the their lives. He then lets the local police department get slaughtered wholesale by the mummies. Go El Santo!



Santo firing his mummy killing gun.

        It's not until the climax of the film that all three luchadors are together on screen, doing battle with the mummy horde. It's frustrating because after a while, I knew that this is how things were going to play out, and yet I wanted to see these guys team up more. The coincident nature of how they finally form their luchador super team is irritating as well. The fact that Santo even has special gold guns in his gold roadster, designed specifically to kill mummies makes Blue Demon's choice not to involve Santo directly all the more dunderheaded. 

Still, the movie is full of enough craziness to warrant a recommendation to anyone, hardcore luchador fan, or novice. The one wrestling match in the entire movie is a tag team event between Blue and Thousand masks, facing off against a team of what appears to be cave men. It's a tightly shot, tightly choreographed match, one of the better ones I've seen in these films. There's mummies galore, child endangerment, big boobed woman endangerment, and midgets being murdered. 




ENJOYMENT!










Five silver masks out of a possible five. 

Fun Fact: Mil Mascaras actually starred in 17 of his own luchador films, from 1969 to 1990, and was also a member of Blue Demon's "Champions of Justice" luchador superhero team. 



Friday, October 21, 2011

Week 30: Santo en la venganza de la momia (Santo in the Mummy's Revenge, 1970)



          
         So week 30 is the first of two mummy movies in a row. I fear this week's movie will likely turn out to be the lesser of the two. The Mummy's Revenge is interesting, in that its plot is bookended by two, totally unrelated wrestling matches. These matches are interesting because Santo is really showing his age in both of them. It's mostly apparent in his speed, or lack there of. At this point, Santo has to be in his 50s, and jumping all around the ring, bouncing off the corners, had to be arduous. 




Santo help the professor out. 


       After the first match is complete, we jumpcut to Santo sitting in on an expedition meeting for a trip into "the jungle" to find the tomb of Nomoc, the prince of the Native Opalche Indians. Apparently this prince decided to defile a virgin girl meant for sacrifice to the God of the Opalche, and as punishment was entombed alive in a remote, relatively unknown grave site in "the jungle". Going on this expedition with the history professor determined to defile this man's tomb, are a big boobed photographer, who becomes Santo's new squeeze, Sergio, an engineer/big game hunter, and a senile old man everyone refers to as "the professor", who I assume is meant to be comic relief, but who's jokes are so lame, it becomes embarrassing. Why is Santo a part of this expedition? I don't know. Because he's famous? I'm not sure why you'd need a masked wrestler to go dig up mummies. 
 
 


Santo wrestling a jaguar.


       This movie feels pretty cheap, even by Santo standards. There's another jumpcut from the meeting to a shot of the expedition's jeep being stuck in the mud, and that's the ONLY scene that's seemingly shot on location in actual jungle. The rest of the movie takes place in three different, shoddy sets. A jungle set, a cave/tomb set, and inside a tent. These places are occasionally re-dressed to make them look like different locations, but its obvious they're not. A lot of audience reaction footage during both wrestling matches are recycled over and over during the matches too, I guess to pad them out. 



The Mummy, getting his revenge.


   The vengeful mummy comes into play when they reach Nomoc's tomb, where they're told by their native guide, that if they remove his necklace of death, he will rise from the grave and waste all of them. Of course this native's superstitions are dismissed as just that. In fact, Santo and Co. are fairly stubborn assholes to the natives they employ to find this guy's tomb. It's kinda funny to see Santo talk down to people whose heritage he is basically helping to pilfer. 


A Santo getting punched in the face POV.


   Once the necklace is removed, Nomoc reanimates, and roams the jungle set of our heroes, picking them off, Agatha Christie "and then there were none" style. Santo at first is too grounded in reality to accept mummies rising from the grave, even though he's fought a mummy previously, as well as vampires, werewolves, aliens, and god knows what else. I guess we're not suppose to remember any of that.



Santo's new squeeze with his new Milton.


    Of course, Santo's stance on mummies is proven valid when his third act confrontation with the mummy reveals it to have been Sergio the entire time. What a jerk. This is one of Santo's lesser motion picture efforts, to be sure. The production values and choppy editing really show the decline in this franchise during the early 70s. 





Enjoyment.












Two Silver Masks out of a possible Five

Fun Fact: Some mummies found in South American have proven to be so old, they predate the mummies of Egypt. 

Friday, September 2, 2011

Week 23: Santo y Blue Demon contra los monstruos (Santo and Blue Demon vs. the Monsters, 1969)




           So here we are with our second Blue Demon team up, and one of the more go for broke Santo movies. All involved must've decided they wanted to do something really zany this time out, and thus Santo & Blue Demon vs. the Monsters was born. While the name recognition monsters get top billing with Santo and Blue Demon, even getting their own respective title cards in the opening credits, this film also sports a bit of a who's who of previous adversaries. The monsters that appear are as follows...




Frankenstein
  



The Mummy





A really shitty Wolfman





The Cyclops (basically a one eyed Gill Man)





The Vampire
  


Lady Vampires







And last but not least, the Zombies from Santo Contra Los Zombies, AND the hunchback midget from The King of Crime. 


        You'll also notice there is a weird, sort of alien looking thing with its massive brain on the outside of its head. It shows up a couple times in the monsters' hideout, and whatever it is, or suppose to be, is never explained. It's presence in the movie is never even acknowledged.



Santo in a 007 pose.


     The gist of the film, what gist they bothered to give us as an excuse for so much monster fighting, is that a mad scientist named Dr. Bruno Halder has not only found a means to reanimate himself from the dead, but also had managed to exert mind control over numerous forms of supernatural life. Halder intends to use his discoveries to murder his brother, niece and Blue Demon, who all contributed to his death somehow. I guess that was explained in a Blue Demon movie I didn't see? It's uncertain. Santo becomes involved, since Halder's niece Gloria, is his new squeeze. Also at Halder's disposal is a duplication machine, similar in function to the one used by Hugh Jackman in The Prestige. Of course, Halder being a bad guy, he uses the machine for his own shallow selfish ends, managing to capture and duplicate Blue Demon, he sends out this evil clone to wreak havoc while the real Blue Demon is imprisoned in his lair. 



A group shot of the Antagonists.

      
       The only thing that really matters with this movie is the monster fights, and they give it to you in spades. Santo fights as many as five monsters at once in any given fight sequence, and while the monster suits are amazingly shoddy (especially the Cyclops, whom you can see tears in the suit of by the climax), its part of the film's charm.


Fun with Frankenstien!


       My only real complaint, aside from making Blue Demon a bad guy AGAIN for most of the run time, is the use of footage stolen from other movies. Santo, Gloria and her father try to hide out at a night club during one scene, taking in a show. Footage is then inserted from an obviously much older mexican musical. If you can't tell by the change in color and film stock that its not something they shot, you can tell by the fact that its a massive studio set, and when they cut back to santo, he's inside a small restaurant. No way in hell does that even flirt with the illusion of matching up. 


More stolen footage.


        23 films out, we finally get a film that feels like the makers behind it let it all hang out. When one thinks of mexican wrestling movies, and the concept of a masked wrestler fighting evil doers in crazy situations, this is the movie one expects to discover. It's only major flaws are its need to pad out its run time with stolen footage again, and also the incessant need to pad things out by showing us the monsters emerge from the master's lair, over and over and over...


ENJOYMENT!













Four Silver Masks out of a possible Five

Fun Fact: This was actually Santo's personal favorite of all his films, citing the film's fun, goofy tone and story.